Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling made "Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Sinfonia, BWV 1046a" available on January 1, 2000. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 21 in Bach, J.S.: Secular Cantatas, Bwv 208 and Bwv 209 by Johann Sebastian Bach, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Sinfonia, BWV 1046a is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Sinfonia, BWV 1046a by Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Presto (very, very fast), since this song has a tempo of 189 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 3 Harpsichords In C Major, BWV 1064: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 91 BPM | ||
III. Wer Dank Opfert, Der Preiset Mich BWV 17, Prima Parte, Coro: Wer Dank Opfert, Der Preiset Mich | Pieter Jan Leusink, Johann Sebastian Bach, Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Bas Ramselaar, Sytse Buwalda, Ruth Holton | A♭ Major | 2 | 4B | 84 BPM | ||
Bach, JS: St John Passion, BWV 245, Part 1: No. 11 "Wer hat dich so geschlagen" (Chorus) | Johann Sebastian Bach, Marc Minkowski, Ditte Andersen, Lenneke Ruiten, Delphine Galou, David Hansen, Colin Balzer, Valerio Contaldo, Christian Immler, Felix Speer, Les Musiciens du Louvre | D Minor | 2 | 7A | 99 BPM | ||
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Sinfonia - Aus der Tiefen rufe ich, Herr, zu dir (Chorus) | Johann Sebastian Bach, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | E Minor | 2 | 9A | 138 BPM | ||
Der Herr ist König, TWV 8:6: II. No. 5, Chorus: Die Töchter Zion sind fröhlich | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
II. Ich Liebe Den Höchsten Von Ganzem Gemüte Bwv 174, At The 2nd Day Of Whit Sun,am 2. Pfingsttag: Sinfonia (Concerto) | Pieter Jan Leusink, Eduard Wesley, Teunis van der Zwart, Bas Ramselaar, Sytse Buwalda, Peter Frankenberg, Louis Van Emmerik, Nico Van Der Meel, Johann Sebastian Bach, Nico De Gier, Amsterdam Classics B.V., Jean Van Vugt, Holland Boys Choir, Netherlands Bach Collegium, Erwin Wieringa | F♯ Major | 2 | 2B | 95 BPM | ||
Suite in G Minor, BWV 822: Overture in G Minor, BWV 822: VII. Menuet III (arr. for piano) | Anonymous, Johann Sebastian Bach, Jenő Jandó | G Major | 1 | 9B | 137 BPM | ||
Erfreut euch, ihr Herzen, BWV 66: V. Aria "Ich furchte zwar - Ich furchte nicht" | Johann Sebastian Bach, Kay Wessel, James Taylor, Collegium Vocale Gent, Philippe Herreweghe | A♭ Major | 1 | 4B | 127 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Missa in G Minor, BWV 235: I. Kyrie | Johann Sebastian Bach, Philippe Pierlot, Carlos Mena, Anna Zander, Maria Keohane, Ricercar Consort, Hans-Jörg Mammel, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM |
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