"III. Wer Dank Opfert, Der Preiset Mich BWV 17, Prima Parte, Coro: Wer Dank Opfert, Der Preiset Mich" by Pieter Jan Leusink, Johann Sebastian Bach, Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Bas Ramselaar, Sytse Buwalda, Ruth Holton was released on December 20, 2006. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 20 in Bach Cantatas (Complete) Part: 13 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. III. Wer Dank Opfert, Der Preiset Mich BWV 17, Prima Parte, Coro: Wer Dank Opfert, Der Preiset Mich is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Wer Dank Opfert, Der Preiset Mich BWV 17, Prima Parte, Coro: Wer Dank Opfert, Der Preiset Mich by Pieter Jan Leusink, Johann Sebastian Bach, Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Bas Ramselaar, Sytse Buwalda, Ruth Holton is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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I. Christ Lag In Todes Banden BWV 4, 5. Coro (Versus IV): Es War Ein Wunderlicher Krieg | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! | Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma Kirkby | B♭ Minor | 0 | 3A | 135 BPM | ||
I. Gott Ist Mein König BWV 71, 1. Coro: Gott Ist Mein König | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Anneke Boeke, Will Wroth, Hendrik Jan Houtsma, Sytse Buwalda, Peter Frankenberg, Bas Ramselaar, Knut Schoch, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Frank Aarnink, Susan Williams, Pieter Jan Leusink | D♭ Major | 1 | 3B | 92 BPM | ||
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | ||
Freuet Euch, Ihr Christen Alle, Cantate Bwv 40 | Nicol Matt, Nordic Chamber Choir, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Johann Sebastian Bach, Robert Sagasser, Martina Rotbauer, Jörg Halobek, Jens Wollenschläger, Heike Hümmer | E Minor | 1 | 9A | 126 BPM | ||
II. Christ Unser Herr Zum Jordan Kam BWV 7, Recitativo (Basso): Als Jesus Dort Nach Seinen Leiden | Holland Boys Choir; Netherlands Bach Collegium, Bas Ramselaar, Ruth Holton, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B♭ Minor | 0 | 3A | 89 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, Prima Parte, (1) Coro: Freue Dich, Erlöste Schar | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Oeds Van Middelkoop, Susanne Grutzmacher, Johann Sebastian Bach, Sytse Buwalda, Doretthe Janssens, Ruth Holton, Nico Van Der Meel, Pieter Jan Leusink | D♭ Major | 2 | 3B | 85 BPM | ||
II. Himmelskönig, Sei Willkommen BWV 182, Choral (Coro): Jesu, Deine Passion | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Anneke Boeke, Holland Boys Choir; Netherlands Bach Collegium, Ruth Holton, John Wilson Meyer, Bas Ramselaar, Johann Sebastian Bach | D Major | 1 | 10B | 83 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: O hilf, Christe, Gottes Sohn (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Minor | 2 | 8A | 61 BPM | ||
II. Erfreute Zeit Im Neuen Bunde BWV 83, (4) Recitativo (Alto): Ja, Merkt Dein Glaube | Holland Boys Choir, Netherlands Bach Collegium, Marjon Strijk, Marcel Beekman, Frank Wakelkamp, Rien Voskuilen, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | A♭ Major | 0 | 4B | 87 BPM |
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