Offenbach: Les contes d'Hoffmann, Act II: "Hein ! Vous !" (Spalanzani, Coppélius, Hoffmann, Cochenille)
Jacques Offenbach, André Cluytens, André Pernet, Bourvil, Raoul Jobin, René Lapelletrie, Orchestre du Théâtre national de l'Opéra-Comique
Offenbach: Les contes d'Hoffmann
1:53 January 1, 1948
BPM
82
Key
C Major
Camelot
8B

Embed

Share Link

Offenbach: Les contes d'Hoffmann, Act II: "Hein ! Vous !" (Spalanzani, Coppélius, Hoffmann, Cochenille) - Jacques Offenbach, André Cluytens, André Pernet, Bourvil, Raoul Jobin, René Lapelletrie, Orchestre du Théâtre national de l'Opéra-Comique Information

Acousticness
94%
Danceability
48%
Energy
34%
Instrumentalness
1%
Liveness
42%
Loudness
76%
Speechiness
8%
Valence
76%
Popularity
Loudness
-14.624 dB

Summary

Jacques Offenbach, André Cluytens, André Pernet, Bourvil, Raoul Jobin, René Lapelletrie, Orchestre du Théâtre national de l'Opéra-Comique made "Offenbach: Les contes d'Hoffmann, Act II: "Hein ! Vous !" (Spalanzani, Coppélius, Hoffmann, Cochenille)" available on January 1, 1948. With Offenbach: Les contes d'Hoffmann, Act II: "Hein ! Vous !" (Spalanzani, Coppélius, Hoffmann, Cochenille) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Offenbach: Les contes d'Hoffmann". In this album, this song's track order is #16. Furthermore, we believe that the track originated from France. Offenbach: Les contes d'Hoffmann, Act II: "Hein ! Vous !" (Spalanzani, Coppélius, Hoffmann, Cochenille) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Offenbach: Les contes d'Hoffmann, Act II: "Hein ! Vous !" (Spalanzani, Coppélius, Hoffmann, Cochenille) BPM

With Offenbach: Les contes d'Hoffmann, Act II: "Hein ! Vous !" (Spalanzani, Coppélius, Hoffmann, Cochenille) by Jacques Offenbach, André Cluytens, André Pernet, Bourvil, Raoul Jobin, René Lapelletrie, Orchestre du Théâtre national de l'Opéra-Comique having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Offenbach: Les contes d'Hoffmann, Act II: "Hein ! Vous !" (Spalanzani, Coppélius, Hoffmann, Cochenille) Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) by Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiLes Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg SoltiD Major110B114 BPM
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) by Anton Arensky, Moscow Symphony Orchestra, Dmitry YablonskyEgipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse)Anton Arensky, Moscow Symphony Orchestra, Dmitry YablonskyC Minor05A82 BPM
Salut d'amour, Op. 12 (version for orchestra) by Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperSalut d'amour, Op. 12 (version for orchestra)Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperB♭ Major16B82 BPM
La traviata / Act 1: La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi)Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera ChorusB♭ Major16B111 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace by Johannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkSerenade No. 2 in A Major, Op. 16: 2. Scherzo. VivaceJohannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkA Major111B179 BPM
Lohengrin, Act III: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin, Act III: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszG Major29B94 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
La vie parisienne, Cancan by Jacques Offenbach, Budapest Strauss Ensemble, Istvan BogarLa vie parisienne, CancanJacques Offenbach, Budapest Strauss Ensemble, Istvan BogarG Major69B92 BPM
Carmen, Opera Suite No. 2: II. Habanera (Act 1) by London Festival Orchestra Alfred ScholzCarmen, Opera Suite No. 2: II. Habanera (Act 1)London Festival Orchestra Alfred ScholzD Major010B123 BPM
Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony OrchestraGrieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian DanceEdvard Grieg, Sakari Oramo, City Of Birmingham Symphony OrchestraF Major27B129 BPM
ISRC
FRZ114801446
Label
L-M Records/RCA Records

Section: 0.772993803024292

End: 0.7772901058197021