Johann Sebastian Bach, Antonio Vivaldi, Arcadi Volodos's 'Sicilienne (from Concerto in D minor, BWV 596)' came out on January 18, 2010. The duration of Sicilienne (from Concerto in D minor, BWV 596) is about 3 minutes long, at 3:25. Based on our data, "Sicilienne (from Concerto in D minor, BWV 596)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Volodos in Vienna by Arcadi Volodos. The song's track number on the album is #11 out of 26 tracks. Based on our statistics, Sicilienne (from Concerto in D minor, BWV 596)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sicilienne (from Concerto in D minor, BWV 596) by Johann Sebastian Bach, Antonio Vivaldi, Arcadi Volodos has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sicilienne (from Concerto in D minor, BWV 596) being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes, Op. 28: No.15 in D flat major - Sostenuto | Frédéric Chopin, Alexandre Tharaud | D♭ Major | 0 | 3B | 70 BPM | ||
Ave Maria, S. 558/12 | Franz Schubert, Lang Lang | B♭ Major | 0 | 6B | 64 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Family Background And Early Years | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A Major | 2 | 11B | 148 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
En rêve, nocturne, S. 207 | Franz Liszt, Paul Lewis | B Major | 0 | 1B | 136 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Oleg Malov, Orchestra "Classical Music Studio", St. Petersburg, Alexander Titov, St. Petersburg Orchestra Classical Music Studio | A♭ Major | 0 | 4B | 111 BPM |
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