"O rossignuol che in queste verdi fronde" by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg was released on January 1, 2000. The duration of O rossignuol che in queste verdi fronde is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. O rossignuol che in queste verdi fronde's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Sex Chordae Consort of Viols, John Dornenburg's "Monteverdi, C.: Madrigals for Viol Consort, Book 3 (Sex Chordae Consort of Viols, Dorenburg)" album is number 12 out of 20. On top of that, United States appears to be the country where this track was created. O rossignuol che in queste verdi fronde is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of O rossignuol che in queste verdi fronde by Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
L'incoronazione di Poppea / Act 3: Pur ti miro | Claudio Monteverdi, Danielle de Niese, Andreas Scholl, The English Concert, Harry Bicket | A Major | 1 | 11B | 100 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
L'Orfeo, Ato primo: III. Rosa del ciel | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 130 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM |
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