- BPM
- 170
- Key
- G Major
- Camelot
- 9B
Andrea Chénier / Act 2: Temer? Perchè? - Umberto Giordano, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly Information
- Acousticness
- 94%
- Danceability
- 31%
- Energy
- 27%
- Instrumentalness
- 0%
- Liveness
- 33%
- Loudness
- 72%
- Speechiness
- 9%
- Valence
- 12%
- Popularity
- 4%
- Loudness
- -16.504 dB
Summary
"Andrea Chénier / Act 2: Temer? Perchè?" by Umberto Giordano, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly was released on January 1, 1984. The duration of Andrea Chénier / Act 2: Temer? Perchè? is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Andrea Chénier / Act 2: Temer? Perchè?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 9 out of 30. The popularity of Andrea Chénier / Act 2: Temer? Perchè? is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Andrea Chénier / Act 2: Temer? Perchè? BPM
We consider the tempo marking of Andrea Chénier / Act 2: Temer? Perchè? by Umberto Giordano, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Andrea Chénier / Act 2: Temer? Perchè? Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Adriana Lecouvreur: Act Ii L'anima Ho Stanca | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | B Minor | 4 | 10A | 101 BPM | |
 | Andrea Chénier / Act 2: "Ecco laggiù Gérard ... La donna che mi ha chiesto" | Umberto Giordano, Gregory Bonfatti, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E Minor | 2 | 9A | 85 BPM | |
 | Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | |
| Andrea Chénier / Act 3: "La mamma morta" | Umberto Giordano, Violeta Urmana, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | F Minor | 1 | 4A | 71 BPM | |
 | Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | |
 | Andrea Chenier: Act I: O pastorelle, addio! | Umberto Giordano, James Levine | A Major | 2 | 11B | 120 BPM | |
| Andrea Chénier / Act 3: "L'uccello è nella rete! ... Donnina innamorata" | Umberto Giordano, Gregory Bonfatti, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | C Major | 6 | 8B | 68 BPM | |
 | Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | |
 | Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | |
 | Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6335015296936035
End: 0.6376354694366455