Benedetto Ferrari, Il Complesso Barocco/Alan Curtis's 'Il Sansone (Oratorio in due canti), Canto Primo: Infelice mio cor, che speri più? (Dalila/Sansone)' came out on 2000. The duration of Il Sansone (Oratorio in due canti), Canto Primo: Infelice mio cor, che speri più? (Dalila/Sansone) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Il Sansone (Oratorio in due canti), Canto Primo: Infelice mio cor, che speri più? (Dalila/Sansone)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. Based on our statistics, Il Sansone (Oratorio in due canti), Canto Primo: Infelice mio cor, che speri più? (Dalila/Sansone)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Primo: Infelice mio cor, che speri più? (Dalila/Sansone) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila) | Benedetto Ferrari, Il Complesso Barocco/Alan Curtis | B♭ Major | 1 | 6B | 97 BPM | ||
Per A Ser Cantada En La Meva Nit | Arianna Savall | C Major | 1 | 8B | 144 BPM | ||
Spera, mi disse amore (Arr. Fateyeva and Enzian for Soprano Saxophone and Baroque Harp) - Musical Moments | Orazio Michi, Asya Fateyeva, Luise Enzian | A Minor | 1 | 8A | 94 BPM | ||
Duetto: Pur ti miro pur ti godo (from 'Il Pastor regio') | Benedetto Ferrari, Elena Cecchi Fedi/Roberta Invernizzi/Il Complesso Barocco/Alan Curtis | G Major | 1 | 9B | 130 BPM | ||
Neubrandenburg Concerto No. 3: IV. Aria (Transcr. By Harer, after Bach's "Gedenke doch, mein Geist, zurücke" BWV 509) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F Major | 0 | 7B | 102 BPM | ||
Dido and Aeneas, Z. 626, Act I: Ah! Belinda | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | B Minor | 2 | 10A | 72 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Un dolce tormento | Claudio Monteverdi, Marco Beasley, Guido Morini, Accordone | C Major | 8 | 8B | 127 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 1 | 12B | 79 BPM |
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