Benedetto Ferrari, Il Complesso Barocco/Alan Curtis made "Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila)" available on 2000. With Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. In terms of popularity, Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Primo: Degno Amor, quanto stringenti (Dalila) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Giuditta: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | A♭ Minor | 0 | 1A | 48 BPM | ||
Sinfonia "Lo Son Amante Di un Crin Aurato" - Musiche varie a voce sola (Venezia, Magni, 1633) | Eguez Eduardo, Benedetto Ferrari, Furio Zanazi, La Chimera | F Major | 1 | 7B | 98 BPM | ||
Le Camus: Laissez durer la nuit | Sébastien Le Camus, Lea Desandre, Thomas Dunford | D♭ Major | 0 | 3B | 80 BPM | ||
Laudate pueri: Sit nomen Domini (Salmo 112), RV 600 | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli | E♭ Major | 1 | 5B | 83 BPM | ||
Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Membra Jesu nostri, BuxWV 75: I. Ad Pedes | Dietrich Buxtehude, Capella Angelica, Lautten Compagney Berlin, Wolfgang Katschner | E Minor | 1 | 9A | 134 BPM | ||
Amanti io vo se dire | Benedetto Ferrari, Emma Kirkby, Anthony Rooley | F♯ Major | 1 | 2B | 74 BPM | ||
Stabat Mater in F Minor, P. 77: XII. Quando corpus morietur | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 200 BPM | ||
Ingemisco | Giovanni Legrenzi, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | G Major | 0 | 9B | 105 BPM | ||
In darkness let me dwell | John Dowland, Anne Sofie von Otter, Jakob Lindberg | A♭ Major | 0 | 4B | 90 BPM |
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