"Joy to the Victors" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach was released on March 6, 2020. With Joy to the Victors being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Long Day Closes: Sullivan Part Songs". In this album, this song's track order is #1. Based on our statistics, Joy to the Victors's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Joy to the Victors by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide, Act I (Remastered): Overture | Leonard Bernstein, Samuel Krachmalnick, Candide Orchestra | E♭ Major | 4 | 5B | 166 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
The Yeomen of the Guard / Act 2: "Nay, sweetheart, be comforted" | Arthur Sullivan, Thomas Allen, Sylvia McNair, Kurt Streit, Jean Rigby, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 129 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Feel the Spirit: III. I got a robe | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra | A Major | 1 | 11B | 80 BPM | ||
Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Hail the bride of seventeen summers (Chorus) | Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 68 BPM | ||
Ruddigore: Dialogue: "Richard! Robin!" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | B♭ Major | 0 | 6B | 95 BPM | ||
Old American Songs: Simple Gifts - Set One | Aaron Copland, William Warfield, Columbia Symphony Orchestra | G Major | 1 | 9B | 72 BPM | ||
H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM |
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