Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz's 'Ruddigore: Dialogue: "Richard! Robin!"' came out on December 1, 2009. The duration of Ruddigore: Dialogue: "Richard! Robin!" is about 3 minutes long, at 3:26. Based on our data, "Ruddigore: Dialogue: "Richard! Robin!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 38 in the song's album "Ruddigore". In this album, this song's track order is #11. In terms of popularity, Ruddigore: Dialogue: "Richard! Robin!" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Ruddigore: Dialogue: "Richard! Robin!" by Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Have A Song To Sing | Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus | E♭ Major | 3 | 5B | 126 BPM | ||
Exsultate, jubilate, K. 165: IV. Allegro. Alleluja, alleluja | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod | F Major | 2 | 7B | 130 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": III. Recitativo, Tenor solo: Saget es, die ihr erlöst seid | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Songs of Separation: III. Dance | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | D♭ Major | 3 | 3B | 68 BPM | ||
Songs of Separation: II. Burning Hell | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | A♭ Major | 3 | 4B | 87 BPM | ||
H.M.S. Pinafore / Act 1: Refrain, audacious tar | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, Thomas Round, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 85 BPM | ||
Five Elizabethan Songs: II. Tears | Ivor Gurney, Jodie Devos, Nicolas Krüger | D♭ Minor | 0 | 12A | 79 BPM | ||
Carmina Burana (1992 Digital Remaster): Were diu werlt alle min | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Chor des Westdeutschen Rundfunks, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | D Minor | 4 | 7A | 148 BPM | ||
Ruddigore: Dialogue: "Whither away?" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | B♭ Minor | 0 | 3A | 67 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM |
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