"Twittering (from Játékok / Book 1) - Upright Piano" by György Kurtág, Víkingur Ólafsson, Halla Oddný Magnúsdóttir was released on October 7, 2022. With Twittering (from Játékok / Book 1) - Upright Piano being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 44 in From Afar by Víkingur Ólafsson, Béla Bartók, György Kurtág, Johannes Brahms, Johann Sebastian Bach, Robert Schumann, Sigvaldi Kaldalóns, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Twittering (from Játékok / Book 1) - Upright Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Twittering (from Játékok / Book 1) - Upright Piano by György Kurtág, Víkingur Ólafsson, Halla Oddný Magnúsdóttir is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamentate: Fragile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D Major | 1 | 10B | 126 BPM | ||
Piano Album I: A Sarabande for the Only Jim in the World | Ned Rorem, Carolyn Enger | D♭ Major | 0 | 3B | 64 BPM | ||
Mendelssohn: Song Without Words, Op. 109 | Felix Mendelssohn, Haruma Sato, 久末 航 | D Major | 1 | 10B | 39 BPM | ||
3 Romances, Op. 94: No. 2, Einfach, innig (Transcr. Ottensamer for Clarinet and Piano) | Robert Schumann, Andreas Ottensamer, José Gallardo | A Major | 0 | 11B | 105 BPM | ||
Passage | Joep Beving | G Major | 0 | 9B | 60 BPM | ||
Játékok, VIII: Beating – Quarreling (For Four Hands) | György Kurtág, Gabor Csalog, Andras Kemenes | C Major | 0 | 8B | 89 BPM | ||
Douze Préludes, Op. 36: No. 10, Sur une tombe | Louis Vierne, Laurent Wagschal | F♯ Minor | 1 | 11A | 94 BPM | ||
Accent Grave | Joep Beving | G Minor | 0 | 6A | 73 BPM | ||
wind whispers, Op. 85: II. floating leaf | Konstantia Gourzi, William Youn | F Major | 0 | 7B | 69 BPM | ||
Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM |
Section: 0.5759851932525635
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