John Stainer, Choir of St Mary's Cathedral, Edinburgh, Liam Bonthrone, Arthur Bruce, Imogen Morgan, Duncan Ferguson's 'The Crucifixion: XV. Recit. and Chorus – "When Jesus therefore saw his mother"' came out on March 29, 2024. The duration of The Crucifixion: XV. Recit. and Chorus – "When Jesus therefore saw his mother" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Crucifixion: XV. Recit. and Chorus – "When Jesus therefore saw his mother"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Stainer: The Crucifixion". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. The Crucifixion: XV. Recit. and Chorus – "When Jesus therefore saw his mother" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: XV. Recit. and Chorus – "When Jesus therefore saw his mother" by John Stainer, Choir of St Mary's Cathedral, Edinburgh, Liam Bonthrone, Arthur Bruce, Imogen Morgan, Duncan Ferguson having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thanks Be To Thee | Choir of the New Apostolic Church, Cape Town | A Major | 1 | 11B | 111 BPM | ||
The Crucifixion: 10. Litany of the Passion (Holy Jesu, by thy passion) (choir & congregation) | John Stainer, Robert Tear/Richard Hickox/John Scott/Benjamin Luxon/Westminster Choir, Richard Hickox | A Major | 1 | 11B | 74 BPM | ||
Go Tell John | Anthony Glick, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
XXIV. Ach, wie elend ist unser Zeit | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
Christ Our Paschal Lamb | John Sheppard, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | F Major | 1 | 7B | 81 BPM | ||
The Crucifixion: XVII. Chorus – The Appeal of the Crucified | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Imogen Morgan, Duncan Ferguson | G Major | 1 | 9B | 139 BPM | ||
Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
Come, Holy Ghost, Our Souls Inspire | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 0 | 5B | 110 BPM | ||
Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM |
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