"Wozzeck / Act I: Scene III: Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!"" by Alban Berg, Hildegard Behrens, Anna Gonda, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. Since Wozzeck / Act I: Scene III: Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Wozzeck / Act I: Scene III: Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act I: Scene III: Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!" by Alban Berg, Hildegard Behrens, Anna Gonda, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Java Suite: Part I: I. Gamelan | Leopold Godowsky, Konstantin Scherbakov | D Minor | 0 | 7A | 88 BPM | ||
Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM | ||
Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
Les Noces, Première partie, Premier tableau: Chez le marié | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | E♭ Major | 1 | 5B | 131 BPM | ||
Sieben frühe Lieder: 7. Sommertage | Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 3 | 6B | 122 BPM | ||
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Vielgeliebte schöne Frau | Heinrich Heine, Alban Berg, Joseph Tawadros, Gibran Khalil Gibran, Andreas Scholl, Tamar Halperin | F Major | 1 | 7B | 81 BPM | ||
Symphonie "Mathis der Maler": 2. Grablegung | Paul Hindemith, Boston Symphony Orchestra, William Steinberg | F♯ Minor | 1 | 11A | 88 BPM |
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