8 Etudes-Caprices Op. 18 (1995 Digital Remaster): A Minor (arr. Kreisler) - Henryk Wieniawski, Itzhak Perlman, Samuel Sanders Information

Acousticness: 95%
Danceability: 59%
Energy: 36%
Instrumentalness: 1%
Liveness: 20%
Loudness: 74%
Speechiness: 4%
Valence: 94%
Popularity: 12%
Loudness: -15.348 dB

Summary

On January 12, 1996, the song "8 Etudes-Caprices Op. 18 (1995 Digital Remaster): A Minor (arr. Kreisler)" was released by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders. With 8 Etudes-Caprices Op. 18 (1995 Digital Remaster): A Minor (arr. Kreisler) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wieniawski: Works for Violin by Henryk Wieniawski, Itzhak Perlman. The song's track number on the album is #1 out of 11 tracks. In terms of popularity, 8 Etudes-Caprices Op. 18 (1995 Digital Remaster): A Minor (arr. Kreisler) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

8 Etudes-Caprices Op. 18 (1995 Digital Remaster): A Minor (arr. Kreisler) BPM

Since 8 Etudes-Caprices Op. 18 (1995 Digital Remaster): A Minor (arr. Kreisler) by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 8 Etudes-Caprices Op. 18 (1995 Digital Remaster): A Minor (arr. Kreisler) being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

8 Etudes-Caprices Op. 18 (1995 Digital Remaster): A Minor (arr. Kreisler) Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Havanaise, Op. 83	Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa	E Major	2	12B	76 BPM
Symphony No. 2 in B Minor: I. Allegro	Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber	G Major	3	9B	137 BPM
Auschwitz-Birkenau	John Williams, Itzhak Perlman, Boston Symphony Orchestra	F Major	2	7B	172 BPM
12 Bagatelles, Op. 13: No. 9. L'abeille (The Bee)	Franz Francois Schubert, Leonidas Kavakos, Péter Nagy	E Minor	3	9A	113 BPM
Scherzo-tarantelle in G Minor, Op. 16	Henryk Wieniawski, James Ehnes, Eduard Laurel	D Major	2	10B	88 BPM
Theme From Schindler's List	John Williams, Itzhak Perlman, Boston Symphony Orchestra	D Minor	1	7A	99 BPM
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro	Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim	D Minor	3	7A	94 BPM
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	G Major	2	9B	96 BPM
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico)	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	2	9B	91 BPM
Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel)	Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman	G Minor	3	6A	112 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6450998783111572

End: 0.6502423286437988