- BPM
- 79
- Key
- C Major
- Camelot
- 8B
Os justi - Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson Information
- Acousticness
- 96%
- Danceability
- 9%
- Energy
- 3%
- Instrumentalness
- 68%
- Liveness
- 22%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 11%
- Popularity
- 0%
- Loudness
- -24.125 dB
Summary
"Os justi" by Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson was released on March 28, 2011. With this song being about 5 minutes long, at 5:17, "Os justi" by Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 17 in Bruckner Motets by Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Os justi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Os justi BPM
The tempo marking of Os justi by Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Os justi Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | |
 | Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | |
 | Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | |
 | Messe en mi mineur: Messe en mi mineur: Benedictus. Moderato | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | C Major | 0 | 8B | 59 BPM | |
 | Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | A♭ Major | 0 | 4B | 93 BPM | |
 | Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | |
 | Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 133 BPM | |
 | Clarinet Quintet in A Major: Clarinet Quintet in A Major: II. Larghetto | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | D Major | 0 | 10B | 76 BPM |
- ISRC
- GBEBL1107116
- Label
- L-M Records/RCA Records
Section: 0.8180129528045654
End: 0.8230428695678711