Luigi Boccherini, Tafelmusik Baroque Orchestra, Jeanne Lamon, Anner Bylsma's 'Octet (Notturno) in G Major, Op. 38, No. 4, G. 470: II. Minuetto' came out on 1993. With this song being about 5 minutes long, at 4:33, "Octet (Notturno) in G Major, Op. 38, No. 4, G. 470: II. Minuetto" by Luigi Boccherini, Tafelmusik Baroque Orchestra, Jeanne Lamon, Anner Bylsma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Tafelmusik Plays Boccherini". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Octet (Notturno) in G Major, Op. 38, No. 4, G. 470: II. Minuetto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Octet (Notturno) in G Major, Op. 38, No. 4, G. 470: II. Minuetto by Luigi Boccherini, Tafelmusik Baroque Orchestra, Jeanne Lamon, Anner Bylsma having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM | ||
Cello Sonata in C Major, G. 17: III. Rondo allegro | Luigi Boccherini, Christian Benda, Sebastian Benda | G Major | 3 | 9B | 144 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Cello Concerto No. 3 In G Major, G. 480: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | D Major | 0 | 10B | 83 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM |
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