Benjamin Britten, Osian Ellis, Keiron Moore, London Symphony Orchestra, Steuart Bedford's 'Symphonic Suite, Op. 53a, "Gloriana" (version for orchestra): Courtly Dance No. 1: March' came out on May 1, 2005. With Symphonic Suite, Op. 53a, "Gloriana" (version for orchestra): Courtly Dance No. 1: March being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 18 in Britten: Sinfonia Da Requiem / Gloriana Suite / Sea Interludes by Benjamin Britten, Steuart Bedford. Based on our statistics, Symphonic Suite, Op. 53a, "Gloriana" (version for orchestra): Courtly Dance No. 1: March's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphonic Suite, Op. 53a, "Gloriana" (version for orchestra): Courtly Dance No. 1: March by Benjamin Britten, Osian Ellis, Keiron Moore, London Symphony Orchestra, Steuart Bedford is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
Murron's Burial | James Horner, London Symphony Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Studies for the Piano, Op. 65: No. 4 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Divertimento: III. Mazurka: Mesto | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Symphonic Poem "Power of Zhangjiajie Nature"Op. 5. | Taras Kutsenko | A Major | 5 | 11B | 116 BPM | ||
Variation 3: I. Andante Lunara | Matthew Slater, London Metropolitan Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM |
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