"Parsifal: Prelude" by Richard Wagner, Philadelphia Orchestra, Christian Thielemann was released on January 1, 1998. Parsifal: Prelude appears to be safe for all ages as it is not explicit. This song is part of Wagner: Preludes and Orchestral Music by Richard Wagner, Philadelphia Orchestra, Christian Thielemann. The song's track number on the album is #4 out of 7 tracks. Based on our data, Germany was the country where this track was produced or recorded. Parsifal: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal: Prelude by Richard Wagner, Philadelphia Orchestra, Christian Thielemann has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Parsifal: Prelude being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
Tannhauser, Act II: Entrance of the Guests | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 1 | 1B | 125 BPM | ||
Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir | D Minor | 1 | 7A | 135 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Götterdämmerung, WWV 86D, Act III: Siegfrieds Trauermarsch | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Minor | 0 | 4A | 67 BPM | ||
Parsifal: Act I, Scene I, "He! Ho! Waldhueter ihr!" | Richard Wagner, René Pape, Violeta Urmana, Yuri Alezeev, Yuri Vorobiev, Lia Shevtsova, Olga Legkova, Alexander Timchenko, Andrei Popov, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 3 | 9B | 92 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM |
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