"Concerto for Oboe, Strings and Basso Continuo in D Minor, TWV 51:d1: I. Adagio" by Georg Philipp Telemann, Ensemble 18+, Vilem Veverka, Barbara Maria Willi was released on September 18, 2015. With Concerto for Oboe, Strings and Basso Continuo in D Minor, TWV 51:d1: I. Adagio being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi, Bach, Telemann: Oboe Concertos by Vilem Veverka, Barbara Maria Willi, Dominik Wollenweber, Ensemble 18+. The song's track number on the album is #4 out of 20 tracks. Based on our data, Czechia was the country where this track was produced or recorded. Concerto for Oboe, Strings and Basso Continuo in D Minor, TWV 51:d1: I. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto for Oboe, Strings and Basso Continuo in D Minor, TWV 51:d1: I. Adagio by Georg Philipp Telemann, Ensemble 18+, Vilem Veverka, Barbara Maria Willi has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Concerto for Oboe, Strings and Basso Continuo in D Minor, TWV 51:d1: I. Adagio being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: II. Allegro | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Concerto in D Major, D. 53: I. Allegro | Giuseppe Tartini, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | A Major | 2 | 11B | 102 BPM | ||
Symphony No. 1 in G Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | F♯ Major | 2 | 2B | 140 BPM | ||
La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 132 BPM | ||
Concerto in D Major, D. 53: II. Andante | Giuseppe Tartini, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | A Major | 1 | 11B | 81 BPM | ||
Der Tag des Gerichts, TWV 6:8: The Second Reflection: Aria: Da kreuzen verzehrende Blitze (Bass) | Georg Philipp Telemann, Ann Monoyios, David Cordier, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 107 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Harp Concerto: II. Adagio | Johann Georg Albrechtsberger, Andrea Vigh, Budapest Strings, Karoly Botvay | G Major | 0 | 9B | 107 BPM |
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