Stanley Silverman, Kalichstein-Laredo-Robinson Trio's 'Trio No. 2 'Reveille': V. Postlude to Guajira y Fuga' came out on March 3, 2023. The duration of Trio No. 2 'Reveille': V. Postlude to Guajira y Fuga is about 3 minutes long, at 3:19. Based on our data, "Trio No. 2 'Reveille': V. Postlude to Guajira y Fuga" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Stanley Silverman, Sting, Kalichstein-Laredo-Robinson Trio's "In Celebration: The Piano Trios of Stanley Silverman" album is number 5 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Trio No. 2 'Reveille': V. Postlude to Guajira y Fuga is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trio No. 2 'Reveille': V. Postlude to Guajira y Fuga by Stanley Silverman, Kalichstein-Laredo-Robinson Trio to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in B-Flat Major, Op. 99, D. 898: II. Andante un poco mosso | Franz Schubert, Kalichstein-Laredo-Robinson Trio | E♭ Major | 2 | 5B | 112 BPM | ||
Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
F-A-E Sonata: II. Intermezzo, WoO 22 | Robert Schumann, Friedemann Eichhorn, Fazıl Say | D♭ Major | 0 | 3B | 130 BPM | ||
Quiet City | Aaron Copland, Alison Balsom, Scott Stroman, Britten Sinfonia | F♯ Major | 4 | 2B | 110 BPM | ||
Gnossiennes, IES 24: I. Lent (Arr. for String Quartet by Krysia Osostowicz) | Erik Satie, Brodsky Quartet | F Minor | 0 | 4A | 84 BPM | ||
Piano Concerto: IX. Cadenza III | Teddy Abrams, Yuja Wang, Louisville Orchestra | F♯ Minor | 3 | 11A | 106 BPM | ||
Der Doppelgänger, S . 560, No. 12 (Arr. for piano by Franz Liszt) | Franz Schubert, Igor Levit | E Minor | 0 | 9A | 138 BPM | ||
Piano Concerto in One Movement: Andantino | Florence Beatrice Price, Jeneba Kanneh-Mason, Chineke! Orchestra, Leslie Suganandarajah | D Minor | 1 | 7A | 129 BPM | ||
Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano) | Claude Debussy, Bomsori, Rafał Blechacz | E Minor | 1 | 9A | 88 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven, Yo-Yo Ma, Leonidas Kavakos, Emanuel Ax | B♭ Major | 1 | 6B | 178 BPM |
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