"Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano)" by Claude Debussy, Bomsori, Rafał Blechacz was released on July 28, 2023. The duration of Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Debussy: Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano) [Musical Moments] and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano) by Claude Debussy, Bomsori, Rafał Blechacz is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Concert Etudes, S145/R6: No. 1. Waldesrauschen (Forest Murmurs) | Franz Liszt, Rafał Blechacz | D♭ Minor | 2 | 12A | 97 BPM | ||
Sæterjentens Søndag | Ole Bull, Eldbjørg Hemsing, Håvard Gimse | D Major | 2 | 10B | 85 BPM | ||
The Arts and the Hours (Arr. for Guitar by Michael Lewin) | Jean-Philippe Rameau, Miloš Karadaglić | C Major | 1 | 8B | 108 BPM | ||
Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: II. Romanze (Andante non troppo con grazia) | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 100 BPM | ||
Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre a ta voix (Arr. Rot for Violin and Orchestra) | Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 68 BPM | ||
Intimate Sketches: No. 13, Lord Jesus Christ is Born | Leoš Janáček, Olena Kushpler | B♭ Major | 1 | 6B | 99 BPM | ||
24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 69 BPM | ||
La Fille Aux Cheveux De Lin | Arts Music Recording, Rotterdam, Gil Sharon, Idith Zvi, Claude Debussy | E Major | 0 | 12B | 134 BPM | ||
On Wings of Song, Op. 34 No. 2 (Arr. Parkin for Violin and Chamber Ensemble) | Felix Mendelssohn, Christian Li, Melbourne Symphony Orchestra | F Major | 1 | 7B | 142 BPM | ||
Lyric Pieces Book X, Op. 71: III. Puck | Edvard Grieg, Alice Sara Ott | A♭ Major | 2 | 4B | 98 BPM |
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