"Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre a ta voix (Arr. Rot for Violin and Orchestra)" by Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero was released on June 18, 2021. Since Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre a ta voix (Arr. Rot for Violin and Orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin on Stage by Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero. The song's track number on the album is #8 out of 14 tracks. Based on our data, Germany was the country where this track was produced or recorded. Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre a ta voix (Arr. Rot for Violin and Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre a ta voix (Arr. Rot for Violin and Orchestra) by Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre a ta voix (Arr. Rot for Violin and Orchestra) being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La muse et le poète, Op. 132 | Camille Saint-Saëns, Tianwa Yang, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | E Major | 1 | 12B | 167 BPM | ||
Après un rêve, Op. 7 No. 1 (Arr. P. Casals for Cello & Piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F Minor | 1 | 4A | 97 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Saint-Saëns: Le carnaval des animaux, R. 125: X. Volière | Renaud Capuçon, Béatrice Muthelet, Emmanuel Pahud, Esther Hoppe, Frank Braley, Gautier Capuçon, Janne Saksala | F Major | 1 | 7B | 83 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): III. Allegro moderato | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | A♭ Major | 1 | 4B | 150 BPM | ||
Introduction et rondo capriccioso in A minor, Op. 28: I. Andante | RCA Victor Symphony Orchestra & William Steinberg | F Minor | 3 | 4A | 172 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Luzerner Sinfonieorchester, Michael Sanderling | A Minor | 2 | 8A | 130 BPM | ||
Saint-Saëns: Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Edgar Moreau, Bertrand Chamayou | E♭ Major | 0 | 5B | 109 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie. Moderato con moto (Ed. Auer) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Antonio Pappano | E♭ Major | 1 | 5B | 86 BPM |
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