On January 1, 2022, the song "Introduction et rondo capriccioso in A minor, Op. 28: I. Andante" was released by RCA Victor Symphony Orchestra & William Steinberg. With Introduction et rondo capriccioso in A minor, Op. 28: I. Andante being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Saint-Saens, C.: Havanaise - Sarasate, P.: Zigeunerweisen - Chausson, E.: Poeme - Ravel, M.: Tzigane (Wallenstein, Steinberg, Solomon) (1951-1953)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Belgium. The popularity of Introduction et rondo capriccioso in A minor, Op. 28: I. Andante is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Introduction et rondo capriccioso in A minor, Op. 28: I. Andante by RCA Victor Symphony Orchestra & William Steinberg having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gautier: Le Secret | Tenenbaum & Kapp | G Major | 1 | 9B | 107 BPM | ||
8 Slavonic Dances, Op. 72, B.147 - arr. Fritz Kreisler: No. 2 in E minor (Allegretto grazioso) | Antonín Dvořák, Akiko Suwanai, Boris Berezovsky | F Minor | 1 | 4A | 85 BPM | ||
Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) | Claude Debussy, Itzhak Perlman | G Major | 0 | 9B | 120 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: III. Finale - Allegro giocoso, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Major | 3 | 11B | 138 BPM | ||
String Quartet No. 1 In D Major, Op. 11, TH.111: 2. Andante cantabile | Pyotr Ilyich Tchaikovsky, Emerson String Quartet | D Minor | 5 | 7A | 65 BPM | ||
Valse-Scherzo, Op. 34, TH 58 for violin and orchestra | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | B Major | 1 | 1B | 185 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Bériot: Scène de ballet, Op. 100 | Charles-Auguste de Bériot, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Major | 2 | 11B | 102 BPM | ||
Symphonie espagnole, Op. 21: I. Allegro non troppo | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM |
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