"Valses oubliées, S.215: No. 1" by Franz Liszt, Andor Foldes was released on October 7, 2022. The duration of Valses oubliées, S.215: No. 1 is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Valses oubliées, S.215: No. 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 140 in Franz Liszt - A Monument of Classics by Franz Liszt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Valses oubliées, S.215: No. 1's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Valses oubliées, S.215: No. 1 by Franz Liszt, Andor Foldes is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
12 Schubert Songs: Heidenroslein (Hedge Rose) | Leopold Godowsky, Konstantin Scherbakov | G Major | 0 | 9B | 127 BPM | ||
Paraphrase de concert sur Rigoletto, S. 434: Verdi - Rigoletto: Paraphrase de concert , S. 434/R. 267 | Franz Liszt, Alexandre Dossin | F Minor | 1 | 4A | 117 BPM | ||
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM |
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