Felix Mendelssohn, Claudio Abbado, Berliner Philharmoniker's 'Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 5 Intermezzo - Allegro appassionato - "Stets irrst du dich"' came out on 1996. The duration of Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 5 Intermezzo - Allegro appassionato - "Stets irrst du dich" is about 3 minutes long, at 3:18. Based on our data, "Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 5 Intermezzo - Allegro appassionato - "Stets irrst du dich"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Claudio Abbado's "Mendelssohn: Ein Sommernachtstraum, Op. 21 & 61" album is number 7 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 5 Intermezzo - Allegro appassionato - "Stets irrst du dich" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 5 Intermezzo - Allegro appassionato - "Stets irrst du dich" by Felix Mendelssohn, Claudio Abbado, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM |
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