"Bachianas brasileiras No. 5 for Soprano and Cellos, W.389: Aria (Cantilena)" by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble was released on January 1, 1992. Since Bachianas brasileiras No. 5 for Soprano and Cellos, W.389: Aria (Cantilena) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "The Essential Kiri". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Bachianas brasileiras No. 5 for Soprano and Cellos, W.389: Aria (Cantilena) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bachianas brasileiras No. 5 for Soprano and Cellos, W.389: Aria (Cantilena) by Heitor Villa-Lobos, Kiri Te Kanawa, Lynn Harrell, Instrumentalensemble having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 0 | 8B | 176 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Villa-Lobos: A prole do bebê No. 1, W. 140: IV. Mulatinha (A boneca de borracha). Un poco animato | Heitor Villa-Lobos, Nelson Freire | A Minor | 1 | 8A | 106 BPM | ||
Il barbiere di Siviglia, Act I, No. 5: Una voce poco fa | Gioachino Rossini, Pretty Yende, Marco Armiliato | E Major | 1 | 12B | 104 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Bachianas brasileiras No. 4: III. Aria: Cantiga | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Minor | 2 | 4A | 86 BPM | ||
Lucrezia Borgia / Act II: "Il segreto per esser felici" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna, Paolo Vero | C Major | 1 | 8B | 110 BPM | ||
Villa-Lobos: A prole do bebê No. 1, W. 140: II. Moreninha (A boneca de massa). Animato molto marcato | Heitor Villa-Lobos, Nelson Freire | F♯ Major | 2 | 2B | 80 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | F♯ Minor | 0 | 11A | 78 BPM |
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