Pietro Torri, Ingrid Schmithusen, Musica Antiqua Köln, Reinhard Goebel made "La Vanità del mondo, Parte seconda: V. Aria "Sì sì resisterà" (Grazia)" available on November 23, 2018. With La Vanità del mondo, Parte seconda: V. Aria "Sì sì resisterà" (Grazia) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Torri: La Vanità del mondo". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Belgium. In terms of popularity, La Vanità del mondo, Parte seconda: V. Aria "Sì sì resisterà" (Grazia) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With La Vanità del mondo, Parte seconda: V. Aria "Sì sì resisterà" (Grazia) by Pietro Torri, Ingrid Schmithusen, Musica Antiqua Köln, Reinhard Goebel having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, RV 595: Donec ponam inimicos tuos: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 132 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide) | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | D Minor | 2 | 7A | 141 BPM | ||
The Indian Queen: I attempt from love's sickness | Henry Purcell, Alfred Deller, William Christie, Wieland Kuijken | D Major | 1 | 10B | 72 BPM | ||
Cantate BWV 175 "Er Rufet Sernen Schafen Mit Namen": II. Aria | Johann Sebastian Bach, Christophe Coin, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Gotthold Schwarz, Andreas Scholl | D♭ Major | 2 | 3B | 142 BPM | ||
L'Olimpiade: Consola il genitore - From "L'Olimpiade" | Johann Adolf Hasse, Simone Kermes | C Major | 0 | 8B | 87 BPM | ||
La Vanità del mondo, Parte seconda: II. Recitativo "Mondo, siam vinti" (Piacere e Mondo) | Pietro Torri, Barbara Schlick, Michael Schopper, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 85 BPM | ||
Il Giustino, RV 717, Act I, Scene 4: Misero è ben colui che dopo nato (Giustino) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Delphine Galou | B♭ Major | 0 | 6B | 74 BPM | ||
I fratelli riconosciuti: Ciel nemico - Attalo | Giovanni Maria Capelli, Philippe Jaroussky, Emmanuelle Haïm, Le Concert d'Astrée | B Major | 0 | 1B | 103 BPM |
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