"Adagio - Instrumental" by Remo Giazotto, Richard Kapp, Philharmonia Virtuosi of New York was released on 1966. Adagio - Instrumental appears to be safe for all ages as it is not explicit. There are a total of 15 in the song's album "The Sunday Brunch Album". In this album, this song's track order is #8. Adagio - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio - Instrumental by Remo Giazotto, Richard Kapp, Philharmonia Virtuosi of New York having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Nigel Hess, Royal Philharmonic Orchestra | D Major | 2 | 10B | 95 BPM | ||
Pavane For Flute And Orchestra | Gabriel Fauré, Susan Hoeppner, Chosei Komatsu | F♯ Minor | 1 | 11A | 58 BPM | ||
À Chloris (Arr. for Cello and Orchestra) | Reynaldo Hahn, Sol Gabetta, Charles Olivieri-Munroe | E Major | 0 | 12B | 75 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
Adagio in G Minor (arr. G. Geiger for trumpet, harp and chamber ensemble) | György Geiger, Remo Giazotto, Eva Maros, Studio ensemble | A♭ Minor | 5 | 1A | 116 BPM | ||
Chopin: Polonaise No. 6 in A-Flat Major, Op. 53 "Heroic" | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 71 BPM | ||
Chanson de matin, Op. 15 No. 2 | Edward Elgar, Royal Philharmonic Orchestra, Pinchas Zukerman | D♭ Major | 0 | 3B | 92 BPM | ||
Concert pour 4 parties de violes, H. 545 (Arr. for String Orchestra by Anonymous): III. Sarabande | Marc-Antoine Charpentier, Richard Kapp, Philharmonia Virtuosi | G Major | 3 | 9B | 99 BPM | ||
Concerto No. 12 in D Major "The Labyrinth": II. Largo | Pietro Locatelli, Philharmonia Virtuosi, Mela Tenenbaum, Richard Kapp | B Minor | 3 | 10A | 127 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |
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