"6 Pieces, Op. 6 (revised version): IV. Sehr massig" by Anton Webern, Philharmonia Orchestra, Robert Craft was released on January 2, 2005. With this song being about 5 minutes long, at 4:43, "6 Pieces, Op. 6 (revised version): IV. Sehr massig" by Anton Webern, Philharmonia Orchestra, Robert Craft is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #24 out of 42 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. 6 Pieces, Op. 6 (revised version): IV. Sehr massig is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 6 Pieces, Op. 6 (revised version): IV. Sehr massig by Anton Webern, Philharmonia Orchestra, Robert Craft has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 6 Pieces, Op. 6 (revised version): IV. Sehr massig being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 "The Age of Anxiety" / Part 2 / I. The Dirge: Largo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 1 | 11B | 95 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Juilliard String Quartet | C Minor | 2 | 5A | 108 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | ||
Violin Concerto, Op. 30: If. Studio V - Per gli armonici. Andante | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 126 BPM | ||
6 German Dances, D. 820 (arr. A. Webern): I. -- | Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft | A♭ Major | 0 | 4B | 105 BPM | ||
String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé | Claude Debussy, Quatuor Ébène | A Major | 0 | 11B | 85 BPM | ||
Whirld (2018) for violin and orchestra: I. Nigredo – | Rolf Wallin, Stavanger Symphony Orchestra, Andris Poga, Eldbjørg Hemsing | C Major | 0 | 8B | 63 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
100 Transcendental Studies: No. 18: Liscio. Tranquillamente scorrevole | Kaikhosru Sorabji, Fredrik Ullén | E Minor | 1 | 9A | 142 BPM |
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