January 2, 2005
Audio information that is featured on 6 Pieces, Op. 6 (revised version): IV. Sehr massig by Anton Webern, Philharmonia Orchestra, Robert Craft.
Find songs that harmonically matches to 6 Pieces, Op. 6 (revised version): IV. Sehr massig by Anton Webern, Philharmonia Orchestra, Robert Craft. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
|Turangalîla Symphonie: 1. Introduction||Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung||E♭ Minor||4||2A||143|
|Piano Quintet: I. Moderato||Alfred Schnittke, Roland Pöntinen, Tale Quartet||E♭ Minor||0||2A||92|
|Symphonie "Mathis der Maler": 2. Grablegung||Paul Hindemith, San Francisco Symphony, Herbert Blomstedt||F♯ Major||0||2B||80|
|Cello Sonata, Op. 8: III. Allegro molto vivace||Zoltán Kodály, János Starker||F♯ Major||2||2B||85|
|The Tides of Manaunaun||Henry Cowell||F♯ Major||3||2B||78|
|20 Regards sur l'enfant-Jésus: XIX. Je dors, mais mon coeur veille||Olivier Messiaen, Håkon Austbø||F♯ Major||0||2B||136|
|Why Patterns?||Morton Feldman||F♯ Major||0||2B||72|
|Winter Fragments||Tristan Murail, Argento Chamber Ensemble, Michel Galante, Erin Lesser||F♯ Major||1||2B||75|
|Black Angels, 13 Images from the Dark Land, Pt. 3 "Return" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 10, God-music||George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo||F♯ Major||0||2B||173|
|Variations for Piano, Op. 27: 2. Sehr schnell||Anton Webern, Maurizio Pollini||F♯ Major||0||2B||109|
|Turangalila-symphonie: VI. Jardin du sommeil||Olivier Messiaen, Thomas Bloch, Francois Weigel, Polish National Radio Symphony Orchestra, Antoni Wit||F♯ Major||0||2B||100|
|Sinfonia For 8 Voices And Orchestra: 2. O King||Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices||F♯ Major||0||2B||65|
|Wozzeck / Act 3: Scene 2: Forest Path By A Pool. "Dort links geht's in die Stadt"||Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado||F♯ Major||0||2B||83|
|2 Thoughts About the Piano: No. 2. Catenaires||Elliott Carter, Ursula Oppens||F♯ Major||3||2B||68|
|Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): III. Modéré||Olivier Messiaen, Alison Balsom, Guy Barker Orchestra, Tim Redmond||F♯ Major||2||2B||107|
|20 Regards sur l'enfant-Jésus: I. Regard du Pere||Olivier Messiaen, Håkon Austbø||F♯ Major||0||2B||57|
This song is track #24 in Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Philharmonia Orchestra, Robert Craft, which has a total of 42 tracks. The duration of this track is 4:43 and was released on January 2, 2005. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and 6 Pieces, Op. 6 (revised version): IV. Sehr massig might be one of them, due to it's low energy and danceability.
6 Pieces, Op. 6 (revised version): IV. Sehr massig has a BPM of 76. Since this track has a tempo of 76, the tempo markings of this song would be Adagio (slowly with great expression). Overall, we believe that this song has a slow tempo.
The key of 6 Pieces, Op. 6 (revised version): IV. Sehr massig is E♭ Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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