- BPM
- 105
- Key
- A♭ Major
- Camelot
- 4B
6 German Dances, D. 820 (arr. A. Webern): I. -- - Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft Information
- Acousticness
- 95%
- Danceability
- 33%
- Energy
- 0%
- Instrumentalness
- 41%
- Liveness
- 31%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 24%
- Popularity
- 1%
- Loudness
- -33.099 dB
Summary
Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft's '6 German Dances, D. 820 (arr. A. Webern): I. --' came out on January 2, 2005. With 6 German Dances, D. 820 (arr. A. Webern): I. -- being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #37 out of 42 tracks. In terms of popularity, 6 German Dances, D. 820 (arr. A. Webern): I. -- is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
6 German Dances, D. 820 (arr. A. Webern): I. -- BPM
Since 6 German Dances, D. 820 (arr. A. Webern): I. -- by Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 6 German Dances, D. 820 (arr. A. Webern): I. -- being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
6 German Dances, D. 820 (arr. A. Webern): I. -- Key
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | |
 | Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | |
 | Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | |
 | String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | |
 | Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | |
 | Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | |
 | Piano Sonata in D Major, Op. 53, D. 850 "Gasteiner": III. Scherzo. Allegro vivace | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6497235298156738
End: 0.6545634269714355