"5 Bagatelles for Clarinet & Piano, Op. 23 (Excerpts): No. 3, Carol" by Gerald Finzi, Helen Habershon, John Lenehan was released on March 11, 2022. The duration of 5 Bagatelles for Clarinet & Piano, Op. 23 (Excerpts): No. 3, Carol is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 5 Bagatelles for Clarinet & Piano, Op. 23 (Excerpts): No. 3, Carol's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 19 in Found in Dreams by Helen Habershon, John Lenehan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, 5 Bagatelles for Clarinet & Piano, Op. 23 (Excerpts): No. 3, Carol's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 5 Bagatelles for Clarinet & Piano, Op. 23 (Excerpts): No. 3, Carol by Gerald Finzi, Helen Habershon, John Lenehan is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
Vespers, Op. 37: Nunc dimittis | Sergei Rachmaninoff, Franck Krawczyk, Sinfonia Varsovia | E♭ Minor | 0 | 2A | 84 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 73 BPM |
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