- BPM
- 150
- Key
- E Minor
- Camelot
- 9A
The Nutcracker (Suite), Op. 71a, TH. 35: IIa. March - Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich Information
- Acousticness
- 95%
- Danceability
- 48%
- Energy
- 19%
- Instrumentalness
- 75%
- Liveness
- 15%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 49%
- Popularity
- 15%
- Loudness
- -21.932 dB
Summary
Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich made "The Nutcracker (Suite), Op. 71a, TH. 35: IIa. March" available on January 8, 2022. The duration of The Nutcracker (Suite), Op. 71a, TH. 35: IIa. March is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. The Nutcracker (Suite), Op. 71a, TH. 35: IIa. March's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 92 in the song's album "Start 2022 with Tchaikovsky". In this album, this song's track order is #39. Based on our statistics, The Nutcracker (Suite), Op. 71a, TH. 35: IIa. March's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The Nutcracker (Suite), Op. 71a, TH. 35: IIa. March BPM
With The Nutcracker (Suite), Op. 71a, TH. 35: IIa. March by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The Nutcracker (Suite), Op. 71a, TH. 35: IIa. March Key
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | |
 | Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | |
 | Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | |
 | Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | |
 | The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | |
 | Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | |
 | St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | |
 | Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 6, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 2 | 6B | 95 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8967108726501465
End: 0.9019641876220703