Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Christmas Oratorio, BWV 248, Pt. 5 "Sunday after New Year": No. 43, Ehre sei dir, Gott, gesungen" available on May 6, 2023. Christmas Oratorio, BWV 248, Pt. 5 "Sunday after New Year": No. 43, Ehre sei dir, Gott, gesungen is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. There are a total of 66 in the song's album "The Official Album of The Coronation: The Complete Recording". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Christmas Oratorio, BWV 248, Pt. 5 "Sunday after New Year": No. 43, Ehre sei dir, Gott, gesungen's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Christmas Oratorio, BWV 248, Pt. 5 "Sunday after New Year": No. 43, Ehre sei dir, Gott, gesungen by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf Meinen Lieben Gott, Cantate Bwv 89 | Nicol Matt, Heike Hümmer, Nordic Chamber Choir, Ute Petersilge, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Robert Sagasser, Jens Wollenschläger, Martina Rotbauer | F♯ Minor | 2 | 11A | 104 BPM | ||
I. Schauet Doch Und Sehet, Ob Irgendein Schmerz Sei BWV 46, (6) Choral (Coro): O Großer Gott Der Treu' | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Anneke Boeke, Knut Schoch, Katherin Steddon, Sytse Buwalda, Pieter Jan Leusink | F♯ Minor | 1 | 11A | 85 BPM | ||
O Haupt voll blut und wunden: I. Chor "O Haupt voll blut und wunden" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Minor | 1 | 5A | 87 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Aria: Schafe konnen sicher weiden (Soprano) | Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Major | 3 | 9B | 189 BPM | ||
Peasant Cantata, BWV 212: Aria: Ach Herr Schosser, geht night gar zu schlimm | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | D♭ Major | 1 | 3B | 85 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 23. Aria, "Brechet mir doch nicht das Herz" (Jesus) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Tiemo Wang | B♭ Minor | 1 | 3A | 32 BPM | ||
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM | ||
Handel: Theodora, HWV 68, Pt. 2 Scene 5: Duet. "To Thee, Thou Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Maxim Emelyanychev, Lisette Oropesa, Paul-Antoine Bénos-Djian, Il Pomo D'oro | E Minor | 2 | 9A | 62 BPM |
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