"Ständchen (Leise Flehen Meine Lieder) D 957,4, Schwanengesang D 957 (Auszug)" by Leo Slezak was released on May 5, 2010. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 17 out of 22. Ständchen (Leise Flehen Meine Lieder) D 957,4, Schwanengesang D 957 (Auszug) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ständchen (Leise Flehen Meine Lieder) D 957,4, Schwanengesang D 957 (Auszug) by Leo Slezak to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Parysatis: Le Rossignol et la Rose | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
La Danza, Tarantella napoletana from "Les Soirees musicales" | Gioachino Rossini, Orchestra of the "Deutschlandsender" | A♭ Major | 2 | 4B | 100 BPM | ||
Que la lea prima Rosa | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | F Major | 1 | 7B | 100 BPM | ||
Myrthen, Op. 25: No. 1, Widmung | Charlotte Hoather | A♭ Major | 2 | 4B | 83 BPM | ||
GENTLEMAN, I PRAY YOU TELL ME (Remastered 2022) | Gilbert & Sullivan, West End Performers | E♭ Major | 4 | 5B | 127 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Singt dem großen Bassa Lieder - Remastered 2024 | Wolfgang Amadeus Mozart, Heinz Woester, Wilma Lipp, Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Torna piccina | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 2 | 4A | 168 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM |
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