Vienna State Opera Orchestra's 'Music for "A Midsummer Night's Dream," Op. 21 (excerpts), IV. Wedding March' came out on March 23, 2004. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Prohaska, Mischa Elman, Vienna State Opera Orchestra, Vladimir Golschman's "Mendelssohn: Orchestral Masterpieces" album is number 8 out of 15. Music for "A Midsummer Night's Dream," Op. 21 (excerpts), IV. Wedding March is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Music for "A Midsummer Night's Dream," Op. 21 (excerpts), IV. Wedding March by Vienna State Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes | Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti | D Major | 0 | 10B | 121 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
The Gypsy Princess: Mädels gibt es wunderfeine | Emmerich Kálmán, Hans Hagen, Vienna State Opera Orchestra | B Major | 3 | 1B | 82 BPM | ||
Horn Concerto No. 3 in E-flat Major, K. 447: ii. Romance: Larghetto | Mozart, Albert Linder, Hans Swarowsky, Vienna State Opera Orchestra | A♭ Major | 0 | 4B | 76 BPM | ||
Japan | Vienna State Opera Orchestra | B♭ Major | 2 | 6B | 64 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
The 4 Seasons: Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo | Antonio Vivaldi, Julian Olevsky, Vienna State Opera Orchestra, Hermann Scherchen | D♭ Minor | 1 | 12A | 91 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
Concertino in D Major for 2 Trumpets and Strings, WoO 49: I. Largo | Hermann Scherchen, Roger Delmotte, Arthur Haneuse, Vienna State Opera Orchestra | B♭ Major | 1 | 6B | 63 BPM |
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