Jenö Takács, Attila Szabó, Camerata De Budapest, Gyor Dodici Chamber Orchestra's 'American Rhapsody: No. 2. Paprika Jancsi' came out on July 15, 2014. With American Rhapsody: No. 2. Paprika Jancsi being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Takacs: Postcard Greetings / American Rhapsody / Serenade / Passacaglia". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Hungary. In terms of popularity, American Rhapsody: No. 2. Paprika Jancsi is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With American Rhapsody: No. 2. Paprika Jancsi by Jenö Takács, Attila Szabó, Camerata De Budapest, Gyor Dodici Chamber Orchestra having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
25 Études faciles et progressives, Op. 100: No. 24, L'hirondelle | Franz Burgmüller, The Gerst Ensemble | G Major | 0 | 9B | 197 BPM | ||
Las Cuatro Estaciones Porteñas: IV. Verano Porteño - Arr. for Cello & Chamber Orchestra by Trey Lee | Astor Piazzolla, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Concerto-Fantasy: II. Interlude | Paul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen Barlow | G Major | 2 | 9B | 77 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Fear | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Three Preludes: No. 1, Allegro ben ritmato e deciso | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | E♭ Major | 0 | 5B | 84 BPM | ||
Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Grande Sonata in D Major, Op. 2: IV. Allegro (Recomposed for Sollo Flute by Luca Astolfoni Fossi) | Gaspard Fritz, Claudio Ferrarini | C Major | 1 | 8B | 92 BPM |
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