"Faust, Act I (1852 Version): So heiter, schöne Gräfin?" by Louis Spohr, Diane Jennings, Ion Bric, Bielefeld Philharmonic Orchestra, Geoffrey Moull had its release date on January 1, 2000. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Faust, Act I (1852 Version): So heiter, schöne Gräfin?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Spohr: Faust (1852 Version)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Faust, Act I (1852 Version): So heiter, schöne Gräfin? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faust, Act I (1852 Version): So heiter, schöne Gräfin? by Louis Spohr, Diane Jennings, Ion Bric, Bielefeld Philharmonic Orchestra, Geoffrey Moull having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegro marziale animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | E♭ Major | 2 | 5B | 80 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Faust, Act II (1852 Version): Durft ich mich nennen sein eigen | Louis Spohr, Claudia Taha, Bielefeld Philharmonic Orchestra, Geoffrey Moull | G Minor | 0 | 6A | 83 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo (Allegro spirituoso) | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | D Major | 1 | 10B | 99 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM |