Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo
Christoph Willibald Gluck, Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra
Gluck: Orfeo ed Euridice
5:48 1982
BPM
112
Key
B♭ Major
Camelot
6B

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Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo - Christoph Willibald Gluck, Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra Information

Acousticness
90%
Danceability
22%
Energy
23%
Instrumentalness
83%
Liveness
10%
Loudness
70%
Speechiness
4%
Valence
4%
Popularity
Loudness
-18.029 dB

Summary

"Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo" by Christoph Willibald Gluck, Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra was released on 1982. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 11 out of 35. In terms of popularity, Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo BPM

We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo by Christoph Willibald Gluck, Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ballo - Coro - Ballo - Coro - Ballo Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8043801784515381

End: 0.810394287109375