Christoph Willibald Gluck, John Eliot Gardiner, Orchestre de l'Opéra de Lyon's 'Gluck : Iphigénie en Aulide : Act 1 "Allez, il faut venger notre gloire offensée" [Clytmnestre, Iphigénie]' came out on May 1, 1988. With Gluck : Iphigénie en Aulide : Act 1 "Allez, il faut venger notre gloire offensée" [Clytmnestre, Iphigénie] being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, José van Dam, John Eliot Gardiner, Orchestre de l'Opéra de Lyon's "Gluck : Iphigénie en Aulide" album is number 18 out of 69. On top of that, France appears to be the country where this track was created. Gluck : Iphigénie en Aulide : Act 1 "Allez, il faut venger notre gloire offensée" [Clytmnestre, Iphigénie] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck : Iphigénie en Aulide : Act 1 "Allez, il faut venger notre gloire offensée" [Clytmnestre, Iphigénie] by Christoph Willibald Gluck, John Eliot Gardiner, Orchestre de l'Opéra de Lyon to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte II: Orphée et Choeur: Laissez vous toucher - Live | Christoph Willibald Gluck, Richard Croft, Chorus Of Les Musiciens Du Louvre, Les Musiciens du Louvre, Marc Minkowski | F♯ Major | 2 | 2B | 80 BPM | ||
Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
Gluck : Iphigénie en Aulide : Act 1 "Diane impitoyable" [Agamemnon] | Christoph Willibald Gluck, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | C Minor | 1 | 5A | 83 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM |
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