"Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 17, Berglied" by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf was released on January 1, 2016. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 17, Berglied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 17, Berglied by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mal di Testa | Alessandro Gozzo, Cats Rule the World | C Major | 2 | 8B | 73 BPM | ||
Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
6 Lieder, Op. 59: No. 6, Jagdlied | Felix Mendelssohn, Sächsisches Vocalensemble, Matthias Jung | E♭ Major | 1 | 5B | 89 BPM | ||
3 Duetti per flauto traverso e chitarra, Op. 4: II. Duetto in G Major: I. Largo (Recomposed for Flute Solo by Luca Astolfoni Fossi) | Ferdinando Carulli, Claudio Ferrarini | D Major | 4 | 10B | 120 BPM | ||
Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | ||
Part VI Sweet Goodby | Peter Stinckens, Sten Stinus | A Major | 2 | 11B | 88 BPM | ||
I Miss You Sometimes | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
Der Wassermann | Robert Schumann, Chamber Choir Sireen | F♯ Minor | 0 | 11A | 130 BPM | ||
Kothenin hymni | SRK Instrumentaali, Lumme Brass | E♭ Major | 1 | 5B | 64 BPM | ||
Sonata a violino scordato, MS 118: II. — | Niccolò Paganini, Luca Fanfoni, Carlo Cantini, Daniele Fanfoni | G Major | 1 | 9B | 79 BPM |
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