"Mass No. 2 in G Major, D. 167: II. Gloria" by Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz was released on December 1, 1996. The duration of Mass No. 2 in G Major, D. 167: II. Gloria is about 3 minutes long, at 3:12. Based on our data, "Mass No. 2 in G Major, D. 167: II. Gloria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 20 in Franz Schubert: Messe in G. Musica sacra by Franz Schubert, Orpheus Orchester Wien, Vienna Chamber Choir, Johannes Prinz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mass No. 2 in G Major, D. 167: II. Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 2 in G Major, D. 167: II. Gloria by Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'italiana in Algeri: Atto I. Coro: Quanta roba! Quanti schiavi! | Gioachino Rossini, La Cetra Vokalensemble Basel, José Coca Loza, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 3 | 10B | 95 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Oster Oratorium, BWV 249: I. Sinfonia | Johann Sebastian Bach, Barockorchester Stuttgart, Frieder Bernius | D♭ Major | 2 | 3B | 185 BPM | ||
Mass in C Major, Op. 86: II. Gloria | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, London Symphony Chorus, London Symphony Orchestra, John Mark Ainsley, Sara Mingardo, Alastair Miles | C Major | 1 | 8B | 97 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie | Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir | D Major | 1 | 10B | 79 BPM | ||
Bist du bei mir, BWV 508 | Johann Sebastian Bach, Benjamin Appl | B Major | 1 | 1B | 128 BPM | ||
Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! | Giuseppe Gazzaniga, Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Munich Radio Orchestra, Stefan Soltesz | D Major | 1 | 10B | 140 BPM | ||
Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM |
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