Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana!
Giuseppe Gazzaniga, Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Munich Radio Orchestra, Stefan Soltesz
Opera Rarities
2:11 February 5, 2021
BPM
140
Key
D Major
Camelot
10B

Embed

Share Link

Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! - Giuseppe Gazzaniga, Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Munich Radio Orchestra, Stefan Soltesz Information

Acousticness
89%
Danceability
56%
Energy
5%
Instrumentalness
0%
Liveness
45%
Loudness
46%
Speechiness
48%
Valence
47%
Popularity
Loudness
-32.252 dB

Summary

Giuseppe Gazzaniga, Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Munich Radio Orchestra, Stefan Soltesz made "Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana!" available on February 5, 2021. The duration of Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 141 in the song's album "Opera Rarities". In this album, this song's track order is #16. Based on our statistics, Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana!'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! BPM

With Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! by Giuseppe Gazzaniga, Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Munich Radio Orchestra, Stefan Soltesz having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.

Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Requiem, Responsorium: III. Dum veneris by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo VitaleRequiem, Responsorium: III. Dum venerisNiccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo VitaleC Major18B113 BPM
Divertimento for Flute, Violin & Cello in A Major, Hob. IV:10: II. Adagio by Joseph Haydn, Les curiosités esthétiques, Jean-Pierre PinetDivertimento for Flute, Violin & Cello in A Major, Hob. IV:10: II. AdagioJoseph Haydn, Les curiosités esthétiques, Jean-Pierre PinetB Major01B88 BPM
Credo, R.592: 2. Adagio: Et incarnatus est by Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian BeersCredo, R.592: 2. Adagio: Et incarnatus estAntonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian BeersA Major111B80 BPM
Requiem in B-Flat Major, MH 838: IV. Liber scriptus by Michael Haydn, Manami Kusano, Julian Pregardien, Jens Hamann, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg GrunRequiem in B-Flat Major, MH 838: IV. Liber scriptusMichael Haydn, Manami Kusano, Julian Pregardien, Jens Hamann, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg GrunF♯ Minor011A69 BPM
Te Deum, WAB 45: V. In te, Domine, speravi by Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio ChorusTe Deum, WAB 45: V. In te, Domine, speraviAnton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio ChorusF Major27B98 BPM
Dies irae: Lacrimosa (Chorus) [Arr. R. Sarte and A. Turco for Choir and Orchestra] by Giuseppe Gazzaniga, Alberto Turco, Cappella Musicale della Cattedrale di VeronaDies irae: Lacrimosa (Chorus) [Arr. R. Sarte and A. Turco for Choir and Orchestra]Giuseppe Gazzaniga, Alberto Turco, Cappella Musicale della Cattedrale di VeronaE♭ Major25B101 BPM
Der Sommer: Der Sommer: "Die düst'ren Wolken trennen sich"Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS KammerchorD Major210B83 BPM
Armida, Atto primo Scena 3: Qual è la man che scuote (Coro di Demoni) by Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De NamurArmida, Atto primo Scena 3: Qual è la man che scuote (Coro di Demoni)Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De NamurD♭ Minor312A142 BPM
Lambs Are Sleeping by Traditional, Neurological Waves ScienceLambs Are SleepingTraditional, Neurological Waves ScienceG Major09B112 BPM
L 'isola d 'Alcina: Atto I: Donna io sono di buon cuore (Aria) by Giuseppe Gazzaniga, L'Arte del mondo, Werner Ehrhardt, Francesca Lombardi MazzulliL 'isola d 'Alcina: Atto I: Donna io sono di buon cuore (Aria)Giuseppe Gazzaniga, L'Arte del mondo, Werner Ehrhardt, Francesca Lombardi MazzulliF♯ Minor111A99 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.668339729309082

End: 0.6720538139343262