Giuseppe Gazzaniga, Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Munich Radio Orchestra, Stefan Soltesz made "Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana!" available on February 5, 2021. The duration of Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 141 in the song's album "Opera Rarities". In this album, this song's track order is #16. Based on our statistics, Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana!'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! by Giuseppe Gazzaniga, Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Munich Radio Orchestra, Stefan Soltesz having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Responsorium: III. Dum veneris | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Major | 1 | 8B | 113 BPM | ||
Divertimento for Flute, Violin & Cello in A Major, Hob. IV:10: II. Adagio | Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet | B Major | 0 | 1B | 88 BPM | ||
Credo, R.592: 2. Adagio: Et incarnatus est | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | A Major | 1 | 11B | 80 BPM | ||
Requiem in B-Flat Major, MH 838: IV. Liber scriptus | Michael Haydn, Manami Kusano, Julian Pregardien, Jens Hamann, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM | ||
Te Deum, WAB 45: V. In te, Domine, speravi | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Dies irae: Lacrimosa (Chorus) [Arr. R. Sarte and A. Turco for Choir and Orchestra] | Giuseppe Gazzaniga, Alberto Turco, Cappella Musicale della Cattedrale di Verona | E♭ Major | 2 | 5B | 101 BPM | ||
Der Sommer: "Die düst'ren Wolken trennen sich" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor | D Major | 2 | 10B | 83 BPM | ||
Armida, Atto primo Scena 3: Qual è la man che scuote (Coro di Demoni) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur | D♭ Minor | 3 | 12A | 142 BPM | ||
Lambs Are Sleeping | Traditional, Neurological Waves Science | G Major | 0 | 9B | 112 BPM | ||
L 'isola d 'Alcina: Atto I: Donna io sono di buon cuore (Aria) | Giuseppe Gazzaniga, L'Arte del mondo, Werner Ehrhardt, Francesca Lombardi Mazzulli | F♯ Minor | 1 | 11A | 99 BPM |
Section: 0.668339729309082
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