"Blarney Ballads: No. 1, The Grand Ould Man" by Charles Villiers Stanford, Sharon Carty, Finghin Collins was released on February 9, 2024. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Stanford: Cushendall, Op. 118 & Other Song Cycles". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Blarney Ballads: No. 1, The Grand Ould Man is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Blarney Ballads: No. 1, The Grand Ould Man by Charles Villiers Stanford, Sharon Carty, Finghin Collins having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM | ||
Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
If I Were A Swan | Kevin Puts, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 85 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Minor | 1 | 6A | 63 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
Songs of the Fleet, Op. 117: IV. The Little Admiral | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 90 BPM | ||
Nunc Dimittis in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | F Minor | 9 | 4A | 140 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM |
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