Paul Burani, Eugène Humbert, André Messager, Emma Luart, Andre Balbon made "La fauvette du temple" available on 2000. The duration of La fauvette du temple is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. La fauvette du temple's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 24 in Anthologie André Messager (1853-1929) [24 succès] by André Messager, Various Artists. In terms of popularity, La fauvette du temple is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of La fauvette du temple by Paul Burani, Eugène Humbert, André Messager, Emma Luart, Andre Balbon is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rabbit Full Ahead | Fanny Hearst | B Major | 3 | 1B | 150 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
支配人のオフィス | アンドリュー・ロイド・ウェバー, 劇団四季ロングラン10周年記念キャスト, 佐川守正, 青山 明, 柳瀬大輔, 河合和代, 西島美子, 秋本みな子, 今井清隆 | D Minor | 3 | 7A | 84 BPM | ||
Lippen schweigen (From "Die lustige Witwe") | Franz Lehár, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer | G Major | 1 | 9B | 88 BPM | ||
Lakmé: Viens, Mallika - Sous le dôme épais | Léo Delibes, Susanne Elmark, Maria Kontra, Sønderjyllands Symfoniorkester, Robert Reimer | B Major | 1 | 1B | 88 BPM | ||
Rigoletto - La Donna E Mobile | Miguel Fleta | B Major | 0 | 1B | 67 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
HMS Pinafore: My Gallant Crew / I Am the Captain of the Pinafore | New D'Oyly Carte Opera, Tom McVeigh | E Major | 4 | 12B | 105 BPM | ||
Chi il bel sogno di Doretta | Giacomo Puccini, Anna Moffo, Francesco Molinari-Pradelli, RCA Italiana Opera Orchestra | B♭ Major | 2 | 6B | 95 BPM |
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