"Lakmé: Viens, Mallika - Sous le dôme épais" by Léo Delibes, Susanne Elmark, Maria Kontra, Sønderjyllands Symfoniorkester, Robert Reimer was released on December 9, 2016. Lakmé: Viens, Mallika - Sous le dôme épais is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 9 out of 12 in Arier: Ch'il bel sogno by Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer. Lakmé: Viens, Mallika - Sous le dôme épais is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé: Viens, Mallika - Sous le dôme épais by Léo Delibes, Susanne Elmark, Maria Kontra, Sønderjyllands Symfoniorkester, Robert Reimer is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Ascension (Miss Shepherd's Waltz) | George Fenton | D Minor | 2 | 7A | 98 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Scherzo | Palle Mikkelborg, Gert Sørensen, Bo Holten, Sønderjyllands Symfoniorkester | F♯ Minor | 3 | 11A | 103 BPM | ||
3.Sequentia: Lacrimosa dies illae: Requiem in D Minor, K 626 | Orchestra of the Vienna Concert House, The Vienna Singer Boys, Paul Redinowski | D Minor | 1 | 7A | 75 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Swan Lake, Op. 20, Act I No. 10: Scene: Moderato | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Santtu-Matias Rouvali | E Minor | 2 | 9A | 82 BPM | ||
Ho'okani Misionari | The Rose Ensemble, Kathy Lee, Dustin Wirth, Tim O'Brien, Jordan Sramek | A♭ Major | 1 | 4B | 73 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Vila vid denna källa - Fredmans Epistel N:o 82 | Carl Michael Bellman, Sangselskabet Guldbergs Akademiske Kor, Margrethe Ek | B♭ Major | 1 | 6B | 111 BPM |
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