Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 5.3 & Kapitel 6.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 5.3 & Kapitel 6.1 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Kapitel 5.3 & Kapitel 6.1 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #12 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kapitel 5.3 & Kapitel 6.1 - Wie Google tickt - How Google Works's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 5.3 & Kapitel 6.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kapitel 5.3 & Kapitel 6.1 - Wie Google tickt - How Google Works being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme Enigma, Op. 36: I. Thema | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | G Major | 3 | 9B | 135 BPM | ||
Große Messe C Major, op.86: Kyrie | Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder | G Major | 1 | 9B | 92 BPM | ||
Matthew Passion, BWV 244, Pt. 2: Aria. Erbarme dich, mein Gott | Johann Sebastian Bach, Catherine King, Norwegian Baroque Orchestra, Julian Podger | B♭ Minor | 1 | 3A | 113 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
Requiem: IV. Sanctus | Giuseppe Verdi, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 118 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Sir Colin Davis | G Major | 1 | 9B | 145 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |
Section: 0.916682243347168
End: 0.922208309173584