Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando)
Paul Hindemith, Alena Cherny
Hindemith: Ludus Tonalis
2:17 December 6, 2019
BPM
69
Key
A♭ Major
Camelot
4B

Embed

Share Link

Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando) - Paul Hindemith, Alena Cherny Information

Acousticness
99%
Danceability
29%
Energy
3%
Instrumentalness
73%
Liveness
13%
Loudness
55%
Speechiness
4%
Valence
6%
Popularity
Loudness
-26.873 dB

Summary

"Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando)" by Paul Hindemith, Alena Cherny was released on December 6, 2019. The duration of Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Alena Cherny's "Hindemith: Ludus Tonalis" album is number 18 out of 25. On top of that, Switzerland appears to be the country where this track was created. Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando) BPM

We consider the tempo marking of Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando) by Paul Hindemith, Alena Cherny to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Ludus Tonalis: XVIII. Fuga nona in B (Moderato, scherzando) Key

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Quatuor pour la fin du Temps: III. Abîme des oiseaux by Olivier Messiaen, Martin FröstQuatuor pour la fin du Temps: III. Abîme des oiseauxOlivier Messiaen, Martin FröstG Major09B131 BPM
D'un soir triste by Lili Boulanger, Yan Pascal Tortelier, BBC PhilharmonicD'un soir tristeLili Boulanger, Yan Pascal Tortelier, BBC PhilharmonicC Major18B87 BPM
Summer Music, Op. 31 by Samuel Barber, Berlin Philharmonic Wind QuintetSummer Music, Op. 31Samuel Barber, Berlin Philharmonic Wind QuintetE♭ Minor02A63 BPM
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande by Jean Sibelius, Berliner Philharmoniker, Herbert von KarajanPelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of MélisandeJean Sibelius, Berliner Philharmoniker, Herbert von KarajanB♭ Major06B72 BPM
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: II. Molto rallentandoArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonE Major212B76 BPM
Four Orchestral Pieces Op. 12 (Sz 51): I. Preludio by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezFour Orchestral Pieces Op. 12 (Sz 51): I. PreludioBéla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinTwo Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D MajorJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinD Major010B108 BPM
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso by Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener PhilharmonikerPiano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino graziosoRobert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener PhilharmonikerD♭ Major03B174 BPM
Dolly, Op.56: 2. Mi-A-Ou by Gabriel Fauré, Katia Labèque, Marielle LabèqueDolly, Op.56: 2. Mi-A-OuGabriel Fauré, Katia Labèque, Marielle LabèqueF Major17B71 BPM
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant by Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraRavel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormantMaurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraA Minor08A65 BPM
ISRC
CHE271900090
Label
L-M Records/RCA Records

Section: 0.6347322463989258

End: 0.6392579078674316