"Nocturnes, Op. 9: No. 2 in E Flat Major (Transcr. Sarasate for Violin and Piano)" by Frédéric Chopin, Bomsori, Rafał Blechacz was released on January 14, 2022. With this song being about 5 minutes long, at 4:32, "Nocturnes, Op. 9: No. 2 in E Flat Major (Transcr. Sarasate for Violin and Piano)" by Frédéric Chopin, Bomsori, Rafał Blechacz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Chopin: Nocturnes, Op. 9: No. 2 in E Flat Major (Transcr. Sarasate for Violin and Piano) [Musical Moments] and no other songs are present in the album, we classify this track as a single. Nocturnes, Op. 9: No. 2 in E Flat Major (Transcr. Sarasate for Violin and Piano) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturnes, Op. 9: No. 2 in E Flat Major (Transcr. Sarasate for Violin and Piano) by Frédéric Chopin, Bomsori, Rafał Blechacz is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Satie: 6 Gnossiennes: V. No. 5 | Erik Satie, Fazıl Say | G Minor | 0 | 6A | 170 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante | Wolfgang Amadeus Mozart, Víkingur Ólafsson | G Major | 0 | 9B | 122 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Ballade No. 4 in F Minor, Op. 52 | Frédéric Chopin, Khatia Buniatishvili | D♭ Major | 1 | 3B | 51 BPM | ||
King Roger, Op. 46: Roxana's Song (Arr. Kochanski for Violin and Piano) - Musical Moments | Karol Szymanowski, Bomsori, Julia Okruashvili | D♭ Major | 1 | 3B | 92 BPM | ||
The Sleeping Forest, Op. 28 No. 6 | Hugo Alfvén, Ulf Schneider, Jan Philip Schulze | A Major | 1 | 11B | 87 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) | Claude Debussy, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 174 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM |
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