"Beethoven: String Quartet No. 15 in A Minor, Op. 132: IV. Alla Marcia, assai vivace (Live at Konzerthaus, Wien, 1989)" by Ludwig van Beethoven, Alban Berg Quartett was released on January 1, 1993. The duration of Beethoven: String Quartet No. 15 in A Minor, Op. 132: IV. Alla Marcia, assai vivace (Live at Konzerthaus, Wien, 1989) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Beethoven: String Quartet No. 15 in A Minor, Op. 132: IV. Alla Marcia, assai vivace (Live at Konzerthaus, Wien, 1989)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 36 in Beethoven: Complete String Quartets, Vol. 2 (Live at Vienna Konzerthaus, 1989) by Ludwig van Beethoven, Alban Berg Quartett. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Beethoven: String Quartet No. 15 in A Minor, Op. 132: IV. Alla Marcia, assai vivace (Live at Konzerthaus, Wien, 1989) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: String Quartet No. 15 in A Minor, Op. 132: IV. Alla Marcia, assai vivace (Live at Konzerthaus, Wien, 1989) by Ludwig van Beethoven, Alban Berg Quartett is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | B♭ Major | 1 | 6B | 64 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM |
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