Charles-Marie Widor, Les Petits Chanteurs du Mont-Royal, Les Chantres Musiciens, Vincent Boucher, Gilbert Patenaude, Jonathan Oldengarm's 'Messe, Op. 36: III. Sanctus' came out on October 1, 2015. The duration of Messe, Op. 36: III. Sanctus is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Messe, Op. 36: III. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Widor & Vierne: Messes pour chœurs et orgues by Les Petits Chanteurs du Mont-Royal, Les Chantres Musiciens, Gilbert Patenaude. The song's track number on the album is #10 out of 16 tracks. Based on our data, Canada was the country where this track was produced or recorded. In terms of popularity, Messe, Op. 36: III. Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe, Op. 36: III. Sanctus by Charles-Marie Widor, Les Petits Chanteurs du Mont-Royal, Les Chantres Musiciens, Vincent Boucher, Gilbert Patenaude, Jonathan Oldengarm has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Messe, Op. 36: III. Sanctus being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | E Minor | 1 | 9A | 116 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | B♭ Major | 1 | 6B | 133 BPM | ||
Inquieto Vivere | Michelle Legauffe | G Major | 0 | 9B | 73 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 1. Chor. Magnificat anima mea Dominum | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 135 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
Organ Symphony No. 2 in D Major, Op. 13 No. 2: II. Pastorale – Moderato | Charles-Marie Widor, Joseph Nolan | C Major | 0 | 8B | 77 BPM | ||
Mendelssohn: 3 Preludes and Fugues, Op. 37, No. 1 in C Minor: Prelude, MWV W21 | Felix Mendelssohn, Stephen Cleobury | F Minor | 1 | 4A | 75 BPM |
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